Summary - A new market study, titled “Global (North America, Europe, Asia-Pacific, South America, Middle East and Africa) Movie Merchandise Market 2018, Forecast to 2023” has been featured on WiseGuyReports.
This report studies the Movie Merchandise market. Movie merchandise includes licensed merchandise with characters and properties from feature films. The merchandise industry involves merchandise manufacturers buying licenses from film or TV production houses.
Scope of the Report:
This report focuses on the Movie Merchandise in global market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.
Movie Merchandise is mainly consumed by normal consumer. That is Men, Women and Youth, Other. And Youth is the largest consumer groups which take up about 48.32% of the global total in 2016.
USA is the largest consumption regions of Movie Merchandise in the world in the past few years and it will keep increasing in the next few years. USA market took up about 50.86% the global market in 2016, while Europe was 25.17%, and China is followed with the share about 6.37%.
Sony Pictures, Paramount Pictures, Warner Bros, Huayi Brothers, Enlight Media, Lionsgate Films, NBC Universal, Nickelodeon, TOEI COMPANY, Alpha Group, The Walt Disney Company, Twentieth Century Fox and Toho Company are the key copyright owner in the global Movie Merchandise market. Top 5 took up about 66.85% of the global market in 2016.
The worldwide market for Movie Merchandise is expected to grow at a CAGR of roughly 2.9% over the next five years, will reach 31600 million US$ in 2023, from 26700 million US$ in 2017, according to a new GIR (Global Info Research) study.
Market Segment by Manufacturers, this report covers
Sony Pictures
Paramount Pictures
Warner Bros
Huayi Brothers
Enlight Media
Lionsgate Films
NBC Universal
Nickelodeon
TOEI COMPANY
Alpha Group
The Walt Disney Company
Twentieth Century Fox
Toho Company
Market Segment by Regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia and Italy)
Asia-Pacific (China, Japan, Korea, India and Southeast Asia)
South America (Brazil, Argentina, Colombia etc.)
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)
Market Segment by Type, covers
Apparel
Home decor
Toys
Accessories
Others
Market Segment by Applications, can be divided into
Men
Women
Youth
There are 15 Chapters to deeply display the global Movie Merchandise market.
Chapter 1, to describe Movie Merchandise Introduction, product scope, market overview, market opportunities, market risk, market driving force;
Chapter 2, to analyze the top manufacturers of Movie Merchandise, with sales, revenue, and price of Movie Merchandise, in 2016 and 2017;
Chapter 3, to display the competitive situation among the top manufacturers, with sales, revenue and market share in 2016 and 2017;
Chapter 4, to show the global market by regions, with sales, revenue and market share of Movie Merchandise, for each region, from 2013 to 2018;
Chapter 5, 6, 7, 8 and 9, to analyze the market by countries, by type, by application and by manufacturers, with sales, revenue and market share by key countries in these regions;
Chapter 10 and 11, to show the market by type and application, with sales market share and growth rate by type, application, from 2013 to 2018;
Chapter 12, Movie Merchandise market forecast, by regions, type and application, with sales and revenue, from 2018 to 2023;
Chapter 13, 14 and 15, to describe Movie Merchandise sales channel, distributors, traders, dealers, Research Findings and Conclusion, appendix and data source
FOR MORE DETAILS: https://www.wiseguyreports.com/reports/3308688-global-north-america-europe-asia-pacific-south-america
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The three big console makers have just pledged to put an end to the “gambling” aspect of lootboxes, meaning the gaming industry might finally put this whole shady moneymaking operation behind us — and not a moment too soon.
The Federal Trade Commission’s August workshop on lootboxes appears to have made some serious waves in the industry — within days, the Electronic Software Association (ESA) reports the three console manufacturers are “committing to new platform policies that will require paid loot boxes in games developed for their platforms to disclose information on the relative rarity or probability of obtaining randomized virtual items.”
That means Sony, Nintendo, and Microsoft won’t allow games on their consoles if they have what we currently recognize as lootboxes: the mystery crates you purchase which can either give you rare items or common rubbish.
That would excise the main complaint against lootboxes: namely, that they somehow coax children into gambling habits by dint of being… well, gambling.
If you know ahead of time what you’re going to get, you’ll at least be informed on how you’re spending your money.
Still, if I may play devil’s advocate, I think all of us deep down know we’re more likely to get common garbage in a lootbox.
The studio was founded 97 years ago, on 4 April 1923.
The Warner brothers, including Harry, Albert, Sam, and Jack Warner, founded the company together.
However, except for the color variations, all of the logos (designed by Saul Bass) are the same, with the initials of the studio’s name stamped inside the shield.The previous logo was designed about ten years ago.
The logo was tweeted on Twitter by Cartoon Crave and captioned as “Here’s a better look at the new Warner Bros. Pictures logo.
However, the 70’s logo was soon faded out, and the studio launched the traditional one in the 80s.In 1984, the studio launched the logo with the initials (WB) imposed on the traditional Warner Bros. shield, with gold trim over cloud-filled blue sky.
It consists of a two-color scheme, blue and white.
American movie producer and former Time-Life correspondent Michael Shamberg shared his views on the effects of COVID-19 on the theatrical business.The producer was involved in different projects like Erin Brockovich, A Fish Called Wanda, Garden State, Gattaca, Pulp Fiction, and The Big Chill.
He is connected with many production companies, Jersey Films, with Stacey Sher and Danny DeVito, and in 2015 Shamberg collaborated with Double Feature Movies with Stacey Sher.He co-founded a video collective called Raindance Corporation that used to publish a magazine newspaper named Radical Software.A week ago, when Warner Bros. announced that the studio would release some of its big-budget projects in 2021 on HBO Max and in theatres on the same day, the industry was shocked by the decision.
Almost the whole of Hollywood sensed that the announcement could change the movie-going culture forever.
Disney, one of the industry leaders who have captured 40% of the United States box office, said that theatres are the “legacy medium.” If theatres could not again stand up on their feet, then the tradition of cinema as an art form will die, and the announcement would result as the final nail of the coffin.
The studio added that it would end the movie’s essence watching for the Gen Zers and 140 million millennials as they would be growing up watching films on their laptops, big-screens, cell phones, and big-screen TVs.
It stars Kate Winslet, Jennifer Ehle, Marion Cotillard, Matt Damon, Laurence Fishburne, Jude Law, and Sanaa Lathan.
Recently, Ray Fisher was reportedly offered a role in The Flash movie.
He did his debut role in the 2016 movie of Batman V Superman: Dawn of Justice as Victor Stone/ Cyborg.
So for now, Fisher’s next big project is Andy Muschietti and Ezra Miller’s upcoming DCEU film as the cybernetically reconstructed hero, though the role would not be significant enough.In a recent report from The Wrap, Fisher is only offered the cameo role in The Flash.
Although according to anonymous sources, Fisher has begun a tirade against Justice League director Joss Whedon for being offered the cameo in June.
In this month, there is news that Fisher might appear in The Flash, but nothing concrete has yet divulged to the public.
The allegations were enabled by the president of DC Entertainment, Geoff Johns, and former co-president of Warner Bros. Jon Berg.
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