In the initial segment of this arrangement of articles on concordance, you will find out about an amicability type called equal movement.
In the articles soon to come (Understanding Harmony parts 2, 3, and 4) you will find out about comparable movement, opposite movement, and slanted movement.
All things considered, you have effectively utilized it regardless of whether you didn't have any acquaintance with it.
How about we have a go at orchestrating by periods third beginning with the C note.
Our third note above D is F.I additionally need to advise you that the rehashed C and D are the two octaves of the first C and D. Going into octaves will be fundamental for the orchestrating cycle.For the excess stretches, the interaction will be something very similar.
On the off chance that the note is the lower case that will mean it is more than an octave or higher than the capitalized note.4th's: (C,F) (D,G) (E,A) (F,B) (G,C) (A,D) (B,E)5th's: (C,G) (D,A) (E,B) (F,C) (G,D) (A,E) (B,F)6th's: (C,A) (D,B) (E,C) (F,D) (G,E) (A,F) (B,G)7th's: (C,B) (D,C) (E,D) (F,E) (G,F) (A,G) (B,A)octaves (8th's): (C,c) (D,d) (E,e) (F,f) (G,g) (A,a) (B,b)9th's: (C,d) (D,e) (E,f) (F,g) (G,a) (A,b) (B,c)I need to rapidly bring up why I did exclude the time frame second on the past list.